World Theatre Day 2020
London theatre news: Wednesday 26 February 2020
The Message for World Theatre Day 2020 by Shahid NADEEM has been released for use in celebrations of the annual event on 27 March.
Photo of Shahid NADEEM courtesy International Theatre Institute
World Theatre Day is celebrated around the globe on 27 March each year.
The event was initiated in 1961 by the International Theatre Institute (ITI) and its main aim is to celebrate the value and importance of theatre in all its forms.
Other goals are ...
- to make people aware of the value and importance of the theatre;
- to enable the theatre community to promote their work on a broad scale, so that opinion leaders, government and municipal entities are aware of the value of the art form and are support it;
- to share the inspiration that a theatre performance has;
- to bring the cultural diversity of theatre performances to audiences;
- to open the door for the idea and benefits of mutual understanding and peace in the minds of people.
Anyone can join in the event on 27 March - suggestions about how you might celebtrate the day can be found here.
One of the key aspects of World Theatre Day is the circulation of the World Theatre Day Message in which a figure of world stature shares their reflections on the theme of Theatre and a Culture of Peace.
The first World Theatre Day Message was written by Jean Cocteau in 1962 and the 2020 version has been written by Shahid NADEEM, from Pakistan.
Two versions of the message have been made available - the short version is reproduced (with permission) below and you can find the full version here (as well as more details about the author).
Message for World Theatre Day 2020, written by Shahid NADEEM ...
Theatre as a Shrine
At the end of a performance of Ajoka Theatre's (1) play on Sufi Poet Bulleh Shah (2), an old man, accompanied by a young boy, came to the actor playing the role of the great Sufi (3), "My grandson is unwell, would you please blow a blessing upon him."
The actor was taken aback and said, "I am not Bulleh Shah, I am just an actor playing this role."
The old man said, "Son, you are not an actor, you are a reincarnation of Bulleh Shah, his Avatar (4)".
Suddenly a whole new concept of theatre dawned upon us, where the actor becomes the reincarnation of the character, he/she is portraying.
Exploring stories such as that of Bulleh Shah, and there are so many in all cultures, can become a bridge between us, the theatre-makers and an unacquainted but enthusiastic audience.
While performing on stage, we sometimes get carried away by our philosophy of theatre, our role as harbingers of social change and leave a large section of the masses behind.
In our engagement with the challenges of the present, we deprive ourselves of the possibilities of a deeply moving spiritual experience that theatre can provide.
In today's world where bigotry, hate, and violence is on the rise, our planet is plunging deeper and deeper into a climatic catastrophe, we need to replenish our spiritual strength.
We need to fight apathy, lethargy, pessimism, greed, and disregard for the world we live in, the planet we live on.
Theatre has a role, a noble role, in energizing and mobilizing humanity to lift itself from its descent into the abyss.
It can uplift the stage, the performance space, into something sacred.
In South Asia, the artists touch with reverence the floor of the stage before stepping onto it, an ancient tradition when the spiritual and the cultural were intertwined.
It is time to regain that symbiotic relationship between the artist and the audience, the past and the future.
Theatre-making can be a sacred act and the actors indeed can become the avatars of the roles they play.
Theatre has the potential of becoming a shrine and the shrine a performance space.
(1) Ajoka Theatre: Established in 1984.The word Ajoka means "Contemporary" in Punjabi. Its repertoire includes plays on themes such as religious tolerance, peace, gender violence, human rights.
(2) Sufism: The Islamic mystical tradition, Sufi poetry, mostly rendered in music, expresses mystical union through the metaphors of profane love.
(3) Bulleh Shah (1680-1757): An influential Punjabi Sufi poet, who wrote about complex philosophical topics in simple language, a strong critic of religious orthodoxy accused of heresy and denied burial in the city graveyard. Popular across religious divide.
(4) Avatar: Reincarnation or manifestation on Earth of a divine teacher according to Hindu culture.
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